So, remember the Beijing Olympics Opening Ceremony?
How fabulous, and gaudy, and over the top it was and the absolute smiling un-fierceness of the 13,256 drummers all banging on their drums and grinning like this was the best day of their lives?
As a matter of course, we don't watch television, but the Olympics are, IMHO, a big honking deal. And as such, deserve some attention. I think it is important, if your children are not exposed to "media" on a regular basis to make sure that they have some context in the Fabric of Life, and thus, we watched Googleplex hours of Televised Olympic Coverage, starting with the Opening Ceremony. I do think, in our defense, that it was a bit of an overload for our Media Un-enhanced brains, as we gave up and went to bed at some point far short of the actual Opening Ceremony ending.
Whatever, the children still talk about the Olympics, and Tom is determined to be the Next Michael Phillips [sic], focusing on Track and Field, Swimming, and Gymnastics, so, it's all good.
I mention all of this as a buildup to one of the most interesting spectacles I have had the privileged of witnessing live: the Impression Luisanjie Show. Directed by Zhang Yimous, the fellow responsible for the Beijing Opening Ceremony, the show is performed on what is described in the tourist literature as the world's largest natural stage. Here's a daylight photo:
.
The green bits in the background are the seats. The show itself is performed on the water. The theater seats 2200 people; the show runs every single night of the year, with a three week break in January for the 500 dancers who make up the show. The theater was packed the night we saw it, and I can easily imagine it is booked solid most nights. I'm going to steal the following from the internet, because their hyperbole is so good.
This
is a performance like you have never seen or experienced
before.An area of 2 kms along Lijiang River and
12 peaks as stage setting, tighter with boundless sky,
compose the Shanshui Theatre with mountains and rivers
the largest natural theatre in the world. In this masterpiece
of the creator, a brand-new performance on the natural
stage setting of Guilin scenery is produced.
Unlike the traditional artificial stage
performance, the performance on the natural stage is
a great work of man and god. No one knows how long this
picturesque scenery has been waiting in rain and mists.
Is its graceful image made for us? Peaks appearing indistinctly,
the reflection of mountains in the water, misty rain
and the sound of charming in the bamboo forest, are
all ready to join in the performance as interludes.
Suddenly this makes us learn the miraculous charm of
this performance: we only do half of the work while
the other half is done by the creator whose improvisation
makes each scene fresh to us.
And yet, it isn't really hyperbole. This was some serious performance s^&%. Here's a sample (photo stolen from the interwebz).
The director uses the karsts as background for his show. There is something unbelievably majestic about karsts lit up as the show's background. Really. It is astonishing to be sitting in complete dark and stillness, and then the show begins. The singers, sing and you hear every word as though they are sitting next to you (although you understand none of it, of course, because it is in Chinese), and suddenly, the karsts light up. Heady stuff.
The story is pretty simple (and take this with a grain of salt, 'cause lets face it, I am not exactly the expert on Chinese theatre); lovely girl who sings well gets into an argument with her landlord and leaves town (via bamboo raft). She sings her way downriver, where she finds Yangshuo and discovers an entire people who are also battling with their landlords. They peasants rise against the landlords, and they begin dueling in song. The peasants are better singers than the landlords, and so win. The lovely singing lady falls in love, and every one lives happily ever after.
The sound and lighting systems are amazing, as are the costumes, and the performers. Here is a photo Jeff took of the peasants uprising.
You are looking at something like 50 guys on bamboo boats dragged large sheets of fabric through the water and then lifting and dropping them in rhythm, while singing. It was also so beautifully and perfectly done, although I suppose if you are performing the same thing 340-odd nights in a row, you might get quite good at it.
The last bit of the show has literally hundreds of ladies all dressed in costumes that light up drifting across the watery stage on small boats. They sing, hold hands, dance, and their lights flash on and off. It is amazing, particularly when the lights go out. Anyway, however you slice it, we were blown away. The whole show was totally over the top in an astonishing, awe inspiring kind of way. At least, Tom, Hope and I were. Jeff tends to be a little more blase about this sort of thing. I think he kind of likes the karsts to just be, you know, karsts. And maybe not back drops for someone's possibly-hooka-inspired fantastical light fantasy.
But, if you get to Guilin or Yangshuo, the Light Show is a must, must, must. Totally, totally worth it (188 RMB for adults, half price for Tom, Hope was free, if you were curious; that's something south of $30US per for grown ups). And with that, we headed home for a good night sleep. The plan for the next day was, weather permitting, boating on the Li River. I'll clue you in: the sun brightened our lives for another day - the photos are amazing.
More tomorrow!
Recent Comments